-- books in bold I have in my
library
-- books in blue I
haven't yet read
|
| |
|
| ABBEY, EDWARD |
--DESERT SOLITAIRE |
| ABBOTT |
--FLATLAND |
| ACKER, KATHY |
--PORTRAIT OF AN EYE --EMPIRE
OF THE SENSELESS |
| ACKERMAN, DIANE |
--A NATURAL
HISTORY OF THE SENSES |
| AESCHYLUS |
--ORESTEIAN TRILOGY |
| AESOP |
--FABLES |
| ALCOTT, LOUISA MAY |
--WORKS |
| ALLENDE, ISABEL |
--THE HOUSE OF THE SPIRITS --EVA LUNA |
| ANDERSON |
--WINESBURG, OHIO |
| ANGELOU |
--I KNOW WHY THE CAGED BIRD SINGS |
| APOLLINAIRE |
-- SELECTED WRITINGS |
| ARAGON |
--LE PAYSAN DE PARIS |
| ARISTOPHANES |
--COMEDIES |
| ARIDJIS, HOMERO |
--PERSEPHONE |
| ARTAUD |
--THEATER AND ITS DOUBLE |
| AUSTEN |
--EMMA |
| BACH |
--BRIDGE ACROSS FOREVER |
| BAKER, NICHOLSON |
--MEZZANINE --FERMATA --VOX |
| BAKHTIN |
--DIALOGIC IMAGINATION |
| BALZAC |
--PERE GORIOT--LE
COLONEL CHABERT |
| BARNES, JULIAN |
--A HISTORY OF THE WORLD IN 10 &1/2 CHAPTERS |
| BARTHES |
--WRITING DEGREE ZERO |
| BATAILLE |
--STORY OF THE EYE --READER |
| BAUDELAIRE |
--ARTIFICIAL PARADISES --FLEURS
DU MAL & SELECTED POEMS |
| BAYLES & ORLAND |
--ART & FEAR |
| BECKETT |
--WAITING FOR GODOT |
| BELLAMY |
--LOOKING BACKWARD |
| BIERCE |
--DEVIL'S DICTIONARY |
| BOCCACCIO |
--DECAMERON |
| BOLEN, J. SHINODA |
--RING OF POWER |
| BORGES |
--GOSPEL ACCORDING TO
MARK --PERSONAL ANTHOLOGY --SEVEN NIGHTS --LABYRINTHS
--BOOK OF IMAGINARY BEINGS |
| BOULLE |
--PLANET OF THE APES |
| BOYLE, T. CORRAGHESSAN |
--DESCENT OF MAN --IF THE RIVER WAS WHISKEY |
| BRETON |
--MANIFESTOS OF SURREALISM |
| BUCHNER |
--COMPLETE... |
| BURGESS, ANTHONY |
--JOYSPRICK --A
CLOCKWORK ORANGE |
| BURROUGHS |
--MY EDUCATION: BOOK OF
DREAMS--NAKED LUNCH --JUNKY |
| BYATT, A. S. |
--ANGELS AND INSECTS |
| CAGE,JOHN |
--SILENCE |
| CALE, DAVID |
--THE RED THROATS |
| CALVINO |
--COSMICOMICS --IF
ON A WINTERS NIGHT A TRAVELER--LE CHEVALIER INEXISTANT |
| CAMUS |
--MYTH OF SISYPHUS AND OTHER ESSAYS --STRANGER --THE
PLAGUE |
| CANETTI, ELIAS |
--AUTO
DA FE |
| CAPOTE |
--BREAKFAST AT TIFFANY'S
--MUSIC FOR CHAMELEONS |
| CARROLL |
--THROUGH THE LOOKING-GLASS --ALICE
IN WONDERLAND |
| CERVANTES |
--DON QUIXOTE |
| CHAUCER |
--TROILUS AND CRESSIDA |
| CHEKOV |
--WORKS |
| CHIPP |
--THEORIES OF MODERN ART |
| CHOPIN |
--THE AWAKENING |
| CHRISTIE |
--AND THEN THERE WAS NONE |
| CISNEROS, SANDRA |
--HOUSE ON MANGO STREET --WOMAN
HOLLERING CREEK |
| COCTEAU |
--ENFANTS TERRIBLES |
| COETZEE, J. M. |
--WAITING FOR THE BARBARIANS |
| COLETTE |
--CHERI AND THE LAST
OF CHERI --GIGI & JULIE DE CARNEILHAN --VAGABOND |
| COMFORT, ALEX |
--DARWIN
AND THE NAKED LADY |
| CONDILLIC |
--TREATISE ON THE SENSATIONS |
| CONRAD |
--NIGER OF THE NARCISSUS --HEART
OF DARKNESS |
| CORTAZAR |
--CRONOPES AND FAMEUX--BLOW UP AND
OTHER STORIES --HOPSCOTCH |
| CREWS, HARRY |
--FEAST
OF SNAKES |
| CRONIN |
--LES VERTES ANNEES |
| CSATH, GEZA |
--THE MAGICIAN'S GARDEN
AND OTHER STORIES |
| CUMMINGS |
--6 NON LECTURES --EIMI
--THE ENORMOUS ROOM --POET AND PAINTER --CRITICAL ESSAYS |
| DANTE |
--PARADISO --PURGATORIO --INFERNO
--VITA NUOVA |
| DE BEAUVOIR |
--SECOND SEX --LES
BELLES IMAGES --ADIEUX |
| DE JESUS |
--CHILD OF THE DARK |
| DE TROYES |
--LE CHEVALIER DE LA CHARETTE |
| DEFOE |
--ROBINSON CRUSOE |
| DELEUZE AND GUATTARI |
--ANTI-OEDIPUS |
| DERRIDA |
--READER: BETWEEN
THE BLINDS |
| DICKENS |
--TALE OF TWO CITIES |
| DICKENSON |
--POEMS |
| DELILLO |
--WHITE NOISE |
| DONNE |
--POETRY & PROSE |
| DOSTOVESKY |
--THE BROTHERS KARAMOZOV --THE
IDIOT --NOTES FROM THE UNDERGROUND |
| DOUGLAS, FREDRICK |
--NARRATIVE OF THE
LIFE OF.. |
| DUCORNET |
--PHOSPHOR IN DREAMLAND |
| DUBOIS |
--THE SOULS OF BLACK FOLK |
| DUNNE |
--GEEK LOVE |
| DURANT |
--STORY OF PHILOSOPHY |
| DURAS |
--THE LOVER --THE WAR |
| ECO |
--FOUCAULT'S PENDULUM
--TRAVELS IN HYPER REALITY --NAME OF THE ROSE |
| ELIADE |
--THE SACRED AND THE PROFANE |
| ELLIOT, GEORGE |
--THE MILL ON THE FLOSS |
| ELLISON, RALPH |
--INVISIBLE MAN |
| EPEL, NAOMI |
--WRITERS
DREAMING |
| EROFEEV, BENEDIKT |
--MOSCOW TO THE END OF THE LINE |
| EURIPIDES |
--THE BACCAE AND OTHER PLAYS |
| FAULKNER |
--THE SOUND AND THE FURY |
| FIELDING, HENRY |
--TOM JONES |
| FISCHETTI |
--L'ANGOISSE DU MORPION AVANT
LE COIT |
| FITZGERALD, F SCOTT |
--TENDRE EST LA NUIT --THE
GREAT GATSBY |
| FITZGERALD, ZELDA |
--SAVE ME THE WALTZ |
| FITZPATRICK |
--THE LOVES OF FAUSTYNA |
| FLAUBERT |
--MADAME BOVARY |
| FORSTER, E.M. |
--ROOM WITH A VIEW --HOWARD'SEND |
| FOUCAULT, MICHEL |
--MADNESS AND CIVILIZATION --READER --HISTORY
OF SEXUALITY |
| FREUD |
--FUTURE OF AN ILLUSION --CIVILIZATION
AND ITS DISCONTENTS --IN DORA'S CASE --...ON WOMEN --THE INTERPRETATION
OF DREAMS |
| FRIEDAN |
--FEMININE MYSTIQUE |
| FROMM |
--THE SANE SOCIETY --THE
ART OF LOVING |
| FROST |
--POEMS |
| GAARDER |
--SOPHIE'S WORLD |
| GAIMAN, NEIL |
--THE WOLVES IN THE WALLS --CORALINE --Dream
Country (Sandman, Book 3) |
| GARCIA MARQUEZ |
--LOVE IN THE TIME OF CHOLERA --ONE-HUNDRED
YEARS OF SOLITUDE --INNOCENT ERENDIRA AND OTHER STORIES |
| GELB |
--HOW TO THINK LIKE
LEONARDO DA VINCI |
| GENET |
--HAUTE SURVEILLANCE --OUR
LADY OF THE FLOWERS --THEIF'S JOURNAL --THE BLACKS |
| GIBRAN |
--THE PROPHET |
| GIDE |
--MARSHLANDS AND PROMETHEUS
MISBOUND --THE IMMORALIST --LA SYMPHONIE PASTORALE |
| GIFFORD |
--WILD AT HEART |
| GOETHE |
--SUFFERINGS OF YOUNG WERTHER --FAUST |
| GOGOL |
--DIARY OF A MADMAN |
| GOLDMAN |
--THE PRINCESS BRIDE |
| GOODING |
--A BOOK OF SURREALIST GAMES |
| GORDIMER NADINE |
--LYING DAYS |
| HARDY |
--FAR FROM THE MADDING
CROWD |
| HARVEY,W. F. |
--"AUGUST HEAT" FROM THE
BEAST WITH FIVE FINGERS |
| HART, JOSEPHINE |
--DAMAGE |
| HEIDEGGER |
--EXISTENCE AND BEING --POETRY,
LANGUAGE,THOUGHT |
| HELLWEG |
--THE
INSOMNIAC'S DICTIONARY |
| HEMINGWAY |
--SHORT STORIES --A MOVEABLE FEAST |
| HESSE |
--STEPPENWOLF --POEMS --SIDDHARTHA
--DEMIAN |
| HIGHWATER,JAMAKE |
--MYTH AND SEXUALITY |
| HOMER |
--ODYSSEY --ILIAD --HYMNS |
| HRABAL |
--I SERVED THE KING OF ENGLAND --TOO
LOUD A SOLITUDE |
| HUFF |
--HOW
TO LIE WITH STATISTICs |
| HUGO |
--LES MISERABLES |
| HUME |
--TREATISE OF HUMAN NATURE |
| HUXLEY, ALDOUS |
--HEAVEN AND HELL --DOORS OF PERCEPTION--GREAT
SHORT WORKS |
| HUYSMANS |
--AGAINST NATURE |
| IBANEZ |
--THE FOUR HORSEMEN OF
THE APOCALYPSE |
| IBSEN |
--A DOLL'S HOUSE |
| IRVING |
--THE WORLD ACCORDING TO GARP |
| JAMES, HENRY |
--DAISY MILLER --PORTRAIT
OF A LADY--TURN OF THE SCREW |
| JOYCE |
--ULYSSES--DUBLINERS
--PORTRAIT OF THE ARTIST AS A YOUNG MAN |
| JOZEF |
--PERCHED ON NOTHING'S BRANCH |
| JUNG |
--MAN AND HIS SYMBOLS --MEMORIES, DREAMS,
REFLECTIONS |
| KAFKA |
--THE TRIAL --METAMORPHOSIS |
| KANDINSKY |
--DU SPIRITUALISME DANS L'ART ET DANS
LA PEINTURE EN PARTICULIER |
| KERN |
--CULTURE OF TIME AND
SPACE |
| KESEY, KEN |
--ONE FLEW OVER THE CUCKOO'S NEST |
| KINGSOLVER |
--THE BEAN TREES |
| KIPLING, RUDYARD |
--KIM |
| KIS, DANILO |
--A TOMB FOR BORIS DAVIDOVICH |
| KOSINSKI,JERZY |
--COCKPIT --BLIND DATE --PAINTED
BIRD --BEING THERE |
| KRISTEVA |
--READER |
| KUNDERA, MILAN |
--UNBEARABLE LIGHTNESS OF BEING |
| LA FONTAINE |
--SELECTED FABLES |
| LACAN |
--FEMININE SEXUALITY |
| LACLOS |
--DANGEROUS LIAISONS |
| LAMOTT |
--BIRD BY BIRD |
| LANGER, SUSAN |
--PHILOSOPHICAL SKETCHES |
| LARDNER |
--YOU KNOW ME AL |
| LAWHEAD |
--PARADISE WAR |
| LAWRENCE, D.H. |
--SELECTED POEMS --WOMEN
IN LOVE --LADY CHATTERLEY'S LOVER --SHORT STORIES |
| LAZARILLO |
--THE LIFE OF... |
| L'ENGLE |
--WALKING ON WATER
--A CIRCLE OF QUIET |
| LEE |
--TO KILL A MOCKINGBIRD |
| LEVIN |
--ROSEMARY'S BABY |
| LEVIN, JEREMY |
--SATAN PSYCHOTHERAPY |
| LEWIS |
--NARNIA SERIES --SURPRISED
BY JOY --UNTIL WE HAVE FACES |
| LEYNER, MARK |
--TOOTH IMPRINTS ON
A CORNDOG--I SMELL ESTER WILLIAMS --MY COUSIN,
MY GASTROENTEROLOGIST --ET TU, BABE |
| LIGHTMAN, ALAN |
--EINSTEIN'S DREAMS |
| LORDE,AUDRE |
--ZAMI |
| MACHIAVELLI |
--THE PRINCE AND THE
DISCOURSES |
| MACKENZIE, GORDON |
--ORBITING THE GIANT HAIRBALL |
| MALINOWSKI |
--LA SEXUALITE ET SA
REPRESSION |
| MALRAUX |
--LA CONDITION HUMAINE |
| MANN, KLAUS |
-- MEPHISTO |
| MANSFIELD,KATHERINE |
--SELECTED SHORT STORIES |
| MARLOWE |
--WORKS--DOCTOR
FAUSTUS |
| MCCABE |
--THE BUTCHER BOY |
| MCEWAN |
--IN BETWEEN THE SHEETS,
THE CEMENT GARDEN, THE COMFORT OF STRANGERS, THE
CHILD IN TIME, THE IMITATION GAME AND
OTHER PLAYS --FIRST LOVE, LAST RIGHTS --THE INNOCENT |
| MCCLATCHY, J. D. |
--POETS ON PAINTERS |
| MAUPASSANT |
--SHORT STORIES |
| MAYAKOVSKY, VLADIMIR |
--THE BEDBUG AND SELECTED POETRY |
| MELVILLE, HERMAN |
--BARTLEBY--BENITO CERENO |
| MENCHU |
--I, RIGOBERTA... |
| MICHAUX |
--MISERABLE MIRACLE |
| MILLER, HENRY |
--NEXUS --SEXUS --PLEXUS
--TROPIC OF CANCER |
| MITCHELL/LAO-TZU |
--TAO TE CHING |
| MORE |
--UTOPIA |
| MORRISON, TONI |
--SONG
OF SOLOMON--BELOVED |
| NABOKOV |
--LOLITA--PALE FIRE --PNIN
--THE STORIES OF... --THE ANNOTATED LOLITA |
| NAYLOR, GLORIA |
--MAMADAY--WOMEN
OF BREWSTER PLACE |
| NEUMANN, ERICH |
--EROS AND PSYCHE |
| NICHOLS |
--AMERICAN BLOOD |
| NIELSEN |
--DESIGNING WEB USABILITY |
| NIETZSCHE |
--BEYOND GOOD AND EVIL --THUS
SPOKE ZARATHUSTRA--MAXIMs |
| NIMOY |
--WILL I THINK OF YOU? |
| NIN |
--EROTICA --DELTA OF VENUS--HENRY
AND JUNE --SPY IN THE HOUSE OF LOVE |
| NOVALIS |
--HYMNS TO THE NIGHT |
| O'CONNOR |
--3 STORIES |
| OLIVER |
--WHITE PINE |
| ORWELL |
--DICKENS, DALI AND OTHERS |
| OUAKNIN |
--MEDITATIONS EROTIQUES |
| OVID |
--METAMORPHOSES |
| PAGELS |
--THE GNOSTIC GOSPELS |
| PANATI |
--EXTRAORDINARY ORIGINS OF EVERYDAY THINGS --Panati's
Browser's Book of Beginnings --Sexy Origins
and Intimate Things -- Words to Live By: The
Origins of Conventional Wisdom and Commonsense Advice --Sacred Origins
of Profound Things |
| PATON, ALAN |
--CRY, THE BELOVED
COUNTRY |
| PAVIC, MILORAD |
--DICTIONARY OF THE KHAZARS -LANDSCAPE
PAINTED WITH TEA --INNERSIDE OF THE WIND --Last
Love in Constantinople: A Tarot Novel for Divination |
| PAZ, OCTAVIO |
--THE DOUBLEFLAME: LOVE AND EROTICISM |
| PEREC,GEORGES |
--W --LA VIE MODE D'EMPLOI |
| PIRSIG |
--ZEN AND THE ART OF MOTORCYCLE MAINTENANCE |
| PLATH |
--COLLECTED POEMS --THE BELL JAR |
| PLATO |
--REPUBLIC--PHAEDRUS
--SYMPOSIUM |
| POE |
--COMPLETE TALES AND
POEMS |
| POLLACK |
--NEAL POLLACK ANTHOLOGY OF AMERICAN LITERATURE |
| POPE |
--SELECTED POETRY AND
PROSE |
| PORTER |
--SOUNDS THAT AROUSE
ME |
| POSTMAN, N. |
--TECHNOPOLY:THE SURRENDER
OF CULTURE TO TECHNOLOGY |
| POTOK, HAIM |
--WANDERINGS --THE CHOSEN --BOOK
OF LIGHTS |
| POUND |
--SELECTED POEMS |
| PROULX, E. ANNIE |
--SHIPPING NEWS |
| PROUST |
--A COTE DE CHEZ SWANN |
| PUIG |
--KISS OF THE SPIDER
WOMAN |
| PYNCHON |
--CRYING OF LOT 49 --GRAVITY'S
RAINBOW --VINELAND |
| QUENEAU |
--ZAZIE DANS LE METRO |
| RABELAIS |
--PANTAGRUEL |
| RADCLIFF |
--THE ITALIAN |
| RADNOTI, MIKLOS |
--UNDER GEMINI AND SELECTED POEMS |
| RAND |
--FOUNTIANHEAD --NIGHT OF JANUARY 16TH |
| REAGE, PAULINE |
--STORY OF O |
| RIMBAUD |
-- PARIS SPLEEN |
| ROBBINS,TOM |
--EVEN COWGIRLS GET THE BLUES --JITTERBUG
PERFUME |
| ROBERTS, J.M. |
--The New History of the World |
| ROBINSON |
--HOUSEKEEPING |
| ROSSET |
--JOYFULCRUELTY |
| ROSTAND |
--CYRANO DE BERGERAC |
| ROY, ARUNDHATI |
--THE GOD OF SMALL THINGS |
| SACHER-MASOCH |
--VENUS IN FURS |
| SAINT-EXUPERY |
--LE PETIT PRINCE |
| SALINGER |
--RAISE HIGH THE ROOF BEAM, CARPENTERS
--FRANNY AND ZOOEY --CATCHER IN THE RYE --NINE
STORIES |
| SAND, GEORGE |
--INTIMATE JOURNAL |
| SAPPHO |
--POEMS |
| SARK |
--SUCCULENT WILD WOMAN
--BODACIOUS BOOK OF SUCCULENCE --INSPIRATION SANDWICH
--A CREATIVE COMPANION --CREATIVE DREAMS |
| SARTRE |
--THE PSYCHOLOGY OF THE
IMAGINATION --BEING AND NOTHINGNESS --INTIMACY --ST.
GENET: COMEDIAN AND MARTYR --NO EXITAND 3 OTHER PLAYS--BAUDELAIRE --WHAT
IS LITERATURE? |
| SAW |
--AESTHETICS |
| SAYERS |
--BIOGRAPHY |
| SCHULZ, BRUNO |
--STREET OF CROCODILES |
| SEBBAR, LEILA |
--SHERAZADE --LA JEUNE FILLE AU BALCON |
| SEDARIS, DAVID |
--ME TALK PRETTY ONE DAY --Dress Your
Family in Corduroy and Denim |
| SHAKESPEARE |
--KING LEAR --HAMLET--OTHELLO
--MACBETH |
| SHAW |
--PLAYS |
| SHAW, LUCI |
--WRITING THE RIVER |
| SHELLY |
--FRANKENSTEIN |
| SHLAIN, DAVID |
--Sex, Time, and Power: How Women's Sexuality
Shaped Human Evolution |
| SINCLAIR |
--THE JUNGLE |
| SILVERSTEIN |
--WHERE THE SIDEWALK ENDS |
| SIMON, CLAUDE |
--L'HERBE |
| SOPHOCLES |
--OEDIPUS THE KING AND ANTIGONE |
| SPANBAUER, TOM |
--MAN WHO FELL IN LOVE
WITH THE MOON |
| STEINBECK |
--THE PEARL --TORTILLA FLAT --SWEET
THURSDAY |
| STENDAL |
--SCARLET AND BLACK
--CHARTREUSE DE PARME |
| STONE |
--LUST FOR LIFE |
| STOPPARD, TOM |
--ARCADIA(PLAY) |
| SWIMME, BRIAN |
--THE
UNIVERSE IS A GREEN DRAGON |
| THOMAS, DYLAN |
--PORTRAIT OF THE ARTIST
AS A YOUNG DOG --COLLECTED POEMS --THE DOCTOR AND
THE DEVILS --ADVENTURES IN THE SKIN TRADE --UNDER MILK WOOD |
| THOMPSON |
--FEAR AND LOATHING IN LAS VEGAS |
| TOLSTOY |
--ESSAYS --THE
KREUTZER SONATA, DEATH OF IVANILYCH --NOTES OF A MADMAN --ANNA
KARENINA |
| TWAIN |
--LETTERS FROM THE EARTH --ADVENTURES
OF HUCKLEBERRY FINN |
| UGRESIC |
--FORDING THE STREAM OF CONSCIOUSNESS |
| ULME, KERI |
--BONE PEOPLE |
| VIAN,BORIS |
--L'ECUME DES JOURS |
| VIRGIL |
--AENEID |
| VOLTAIRE |
--WORKS --CANDIDE |
| VONNEGUT |
--BREAKFAST OF CHAMPIONS --CAT'SCRADLE
--WAMPETERS, FOMA AND GRANDFALLOONS --PLAYER PIANO |
| WALKER |
--THE COLOR PURPLE |
| WALLACE |
--BRIEF INTERVIEWS WITH HIDEOUS MEN |
| WEBER |
--SOCIOLOGY OF RELIGION --PROTESTANT ETHIC
AND THE SPIRIT OF CAPITALISM |
| WELTY, EUDORA |
--13 STORIES |
| WESLEY |
--ZENO'S PARADOXES |
| WHARTON |
--ETHAN FROME --AGE OF INNOCENCE --HOUSE
OF MIRTH |
| WHITMAN |
--LEAVES OF GRASS |
| WIESEL, ELIE |
--NIGHT |
| WILDE |
--SALOME & THE SAINTE
COURTESAIN |
| WILLIAMS, TENNESSEE |
--COLLECTED STORIES |
| WILLIAMS, WILLIAM CARLOS |
--WHITE MULE |
| WINTERS, J. |
--WINTER'S TALES |
| WINTERSON, JEANNETTE |
--ORANGES ARE NOT THE ONLY FRUIT --THE
WORLD AND OTHER PLACES --PASSION --SEXING THE CHERRY --WRITTEN ON
THE BODY--GUT SYMMETRIES --LIGHTHOUSEKEEPING |
| WOLFE, TOM |
--ELECTRIC KOOL-AID
ACID TEST |
| WOOLF |
--TO THE LIGHTHOUSE --A ROOM OF ONE'S
OWN |
| WRIGHT, RICHARD |
--BLACKBOY |
| YEATS |
--PURGATORY |
| YOURCENAR, MARGUERITE |
--THAT MIGHTY SCULPTOR, TIME |
| YOURGRAU, BARRY |
--WEARING DAD'S HEAD --A MAN JUMPS OUT
OF AN AIRPLANE --SADNESS OF SEX --Haunted Traveller |
| ZOLA |
--THERESE RAQUIN --GERMINAL |